(不專業翻譯,原文敬請參考:Interview by Peter Bilak)
| SHV anniversary book, designed by Irma Boom. picture from here |
| SHV anniversary book, designed by Irma Boom. picture from here |
Above all, his studio is about reclaiming letter as an image. It extends beyond an exercise in quark or a choice of fonts- it is about building a typographic consciousness. A typography that returns to the roots of the picture in the relationship between picture and literature. Only at that level, is "work against the grain of words" meaningful. It requires a particular sensitivity and visual hearing. The most important processes in book design happen at the borderlands of seeing and hearing. For Buszewicz, book design is a unique and timeless process.
2009.8.1 明報╱鄭頌賢(原文載自扎誌 ) 雖已踏入冬季,但那是個暖和的下午,我們一行人擁擠在一家狹窄但富情調的舊書店內,為的就是與伊瑪.布(Irma Boom,爾瑪.布姆)見面。「我常常想,今時今日,誰還會關心書籍設計?我總是不明白為何大家會對我感興趣。」但其實只要看過伊瑪設計的書,就不難明白為什麼。 伊瑪.布來自荷蘭,是當今世界首屈一指的書籍設計師,獲獎無數,更是行內備受推崇的Gutenberg Prize最年輕的獲獎人。由在荷蘭政府發行部工作,到 1991年創立自己的設計室而今,她設計過的書籍達250本,而在眾多作品中,厚 2,136頁的SHV Think Book 1996-1896可謂是她的成名作,單是設計這本書,就花去了她整整5年時間。 |